Chair Shots With Killem Faulkner: 2022 Pro Wrestling Year In Review

It’s Thursday! (Or Friday depending on how efficient I am at writing, editing, and publishing…) You know what that means! It’s time for our weekly look at all things professional wrestling, particularly through the lens of AEW as most of you know this weekly article as a review of Dynamite. But as we’re nearing the end of the year, it’s time to take a step back and look at the professional wrestling landscape overall. I’m going to keep the same format as my weekly reviews (with one added segment) but instead of crowning the best matches and moments (as well as the overall worst moments) of the night, I’m going to be looking at the entire year. There’s always a first time for everything, and I’m hoping this will be the first in what will hopefully become an annual tradition. So without any further ado, let’s get to the best and worst of pro wrestling for 2022!

Best Match of the Year

There were a ton of great matches from around the wrestling world this year, but since I mainly watched WWE only in the second half of the year (I skipped this year’s WrestleMania for the first time in almost a decade!) and I’ve only seen clips and individual matches from New Japan Pro Wrestling and Ring of Honor, I’m going to focus on the best matches from AEW. (I will say that some of the best WWE matches I watched this year included, in no particular order, the Brawling Brutes vs. Imperium at Extreme Rules, Bianca Belair vs. Becky Lynch at WrestleMania 38, and Austin Theory, Bobby Lashley, and Seth Rollins at Survivor Series. There are lots of other matches that probably belong on that list, but I either didn’t see them or just didn’t like them any better than those three. Oh, and for non-WWE matches, all three of the FTR vs. the Briscoe Brothers matches were great, and I am reliably informed that Kazuchika Okada and Will Ospreay had two of the absolute best matches of the year at Wrestle Kingdom and the G1 Climax. There, I have successfully summarized the entire year of non-AEW professional wrestling in a single parenthetical. Now let’s get on to the real list.)

First runner up for match of the year is The Acclaimed vs. Swerve in Our Glory for the AEW World Tag Team Championships at All Out. One of the best storylines of the year has been the rise of Max Caster and Anthony Bowens to the point where they became arguably the most popular tag team in all of professional wrestling. So much so, in fact, that other top teams in AEW suffered in comparison, as FTR was technically the top contender for the championships for months without ever getting a title match. Even the popular pairing of Keith Lee and Swerve Strickland got booed out of the building when facing The Acclaimed at All Out. (Well, fans have been more than happy to boo Swerve for quite a while, though Lee getting booed was a surprise.) This match benefited from one of the hottest crowds of the year, but the fans in Chicago had every reason to be fired up for the action between these two exceptional teams. Lee and Strickland looked beatable coming into the match and on the night itself, while Caster and Bowens refused to say die and looked like they would pull off the biggest win of their career on the night. They didn’t, but it wouldn’t have been an unwelcome development if Tony Khan had decided to call an audible and give them the belts on the biggest night of their careers. They only had to wait a few weeks until Grand Slam to win the titles, but this first encounter between the two teams had everyone on the edge of their seats anticipating the title change that never came, and it ended up being arguably the best AEW tag team match of the entire year.

Second runner up for AEW match of the year is CM Punk vs. MJF in a dog collar match at Revolution. If I had a segment for storyline of the year, you better believe Punk/MJF would have gotten the honors because good gravy was this feud an emotional rollercoaster of incredible promos, segments, and two exceptional matches. CM Punk’s tribute to his days in Ring of Honor was awesome, MJF had all the heat in the world, and Wardlow’s turn garnered one of the biggest cheers of the year. The match itself was as bloody and brutal as you’d expect from this rivalry, and it paid off the storyline that came before it to absolute perfection. Punk sought his righteous revenge after Maxwell suckered him in with a sob story about how the Second City Saint let him down when he was a bullied teen, and MJF tried his cowardly best to escape long enough to find the slightest of openings to take advantage of Punk’s overzealousness. Neither man had a great follow-up after this match (and trust me, we’ll get to that) but for one night at least, Punk and MJF delivered one of the most satisfying matches of the entire calendar year.

Okay, I know some of you may be absolutely exasperated with me at this point, realizing that out of Cody Rhodes vs. Sammy Guevara (Beach Break), Anarchy in the Arena (Double or Nothing), Jon Moxley vs. Bryan Danielson (Revolution), and any of the matches between Death Triangle and The Elite, only one of them can be #1 on my list. Well, you’re about to be even more exasperated with me because it’s none of those matches! Nope, for my money, the most enjoyable in-ring match I watched all year was…Will Ospreay vs. Orange Cassidy from Forbidden Door. Yes. Seriously. Look, it’s ironic how many people genuinely underestimate Cassidy’s wrestling ability given how the storyline of virtually all his greatest feuds rely on him proving that exact narrative wrong against supposedly “serious” wrestlers who underestimate him to their own detriment because he does “comedy” wrestling. (See also OC’s feuds with Chris Jericho and PAC, for example.) Forbidden Door was a bit of a cursed show as many highly anticipated AEW/NJPW matches had to be scrapped due to injury or…other reasons. However, everything that actually made its way onto the card, whether originally planned or not, ended up delivering to a fantastic degree, and despite not being one of the most anticipated matches, OC and Ospreay overdelivered to the point that everything else on the card had an uphill battle to emerge from its shadow. Yes, this was one of those “flippy floppy” matches that some old people on the internet despise, but there was plenty of psychology for anyone who actually gave it a chance, not to mention some of the most insane action and closest near falls you’ll ever see. I know this is probably not a popular pick for match of the year, but when I thought back on the last twelve months, this and Punk vs. MJF were the first that immediately sprang to mind, and from a match quality perspective, Orange Cassidy vs. Will Ospreay gets the slightest edge for my match of the year.

Best Moment of the Year

With best match out of the way, I’m going to turn my focus back to the wider world of professional wrestling to look at some of the best developments in the industry from 2022. As I mentioned earlier in the list, I actually skipped this year’s WrestleMania, but one of the matches/moments that I went out of my way to watch was Cody Rhodes‘ return to WWE, and it did not disappoint in any sense. I may have intentionally skipped his widely lauded match against Seth Rollins at Hell in a Cell, as I find it distasteful to watch someone wrestling through a serious injury as much as I appreciate the bravery and toughness it took for him to wrestle with a torn pec, but his re-debut was absolutely perfect. I might have preferred to see Rhodes stay in the company he helped found, but the allure of winning the world title his father never did is an understandably irresistible inducement to bring him back into the fold of a company that treated him miserably in his last run. That nauseating pectoral injury will keep him out of action for the remainder of the year, but his 2023 looks incredibly bright as rumors swirl that he may win the Royal Rumble and go on to dethrone Roman Reigns, who will have held the title for over 2 and a half years by the time WrestleMania 39 rolls around. If that moment does indeed come to pass, even if he wins one title on night one and someone like the Rock wins at night two, Rhodes will have entirely justified his decision to jump ship from AEW to WWE in just his first year back.

From a personal standpoint, there was not one single moment this year that made me happier than Bray Wyatt‘s return to the world of professional wrestling at Extreme Rules. (Of course, in an all-too-common occurrence, my Peacock feed decided to cut out momentarily… immediately before Bray stepped out onto the stage. Meaning I had to search for it on Twitter to actually see him return in the flesh. No, I am not joking. Yes, it was one of the most infuriating moments of my life as a wrestling fan.) I’ve made no secret of the fact that I’ve been a huge Bray Wyatt guy ever since the Wyatt Family debuted on the main roster in 2012 – their appearance along with CM Punk’s pipebomb promo kept me invested in professional wrestling at a time when my interest had seriously waned. It is not hyperbole to say that I might have given up on the sport entirely if not for Punk and Wyatt, so I will always have a soft spot in my heart for both of them despite their creative (and personal) ups and downs in the years since. Despite numerous promising reinventions, however, Wyatt never seemed to get his full due during his initial run in the company, so it was shocking but unsurprising when he was released in 2021 – shocking because he was an undeniable star who sold tons of merch, but unsurprising because the company had seemingly given up on him as a main event talent and apparently had little to no direction for him following the disappointing conclusion of his run as the Fiend. Still, it felt like a creative mind like Wyatt’s just needed the time and freedom to produce something truly masterful, and while it’s too early in the Uncle Howdy storyline to really know how well this run with the company will turn out, it is already looking far more promising than his previous time in WWE. Why? Well…

I’m cheating a little bit with my moment of the year because it’s really something more like three moments, but the practical upshot is that the best moment of the year in professional wrestling was Triple H taking over as head of creative in WWE. Of course, that doesn’t happen without Shane McMahon being fired from the company after an absolutely dreadful Royal Rumble in January – seriously, it was so bad that we felt compelled to talk about how awful it was on the podcast – and Vince McMahon “retiring” (read: being forced to resign after numerous sexual assault allegations came to light) in July. A lot of people struggled to keep up with professional wrestling through the pandemic era of empty arenas, but I had slowly begun watching wrestling less and less even before then. My biggest complaint was that although the wrestling always seemed to turn out well, the storylines that provided context for the in-ring action were always lacking. Under the previous regime, the pattern seemed to be “well, the build sucked, but I’m sure the pay-per-view (or premium live event) match will be great.” After a certain point, that just wasn’t enough for me anymore, so I went from watching Raw and Smackdown on a weekly basis and every PPV/PLE to only watching Smackdown and reading reviews/summaries of Raw while still watching most PPVs/PLEs to not watching weekly TV at all and only watching the bigger PPVs/PLEs to becoming a full-on WWE casual by barely following the product at all. That increasing disinterest is almost entirely attributable to the increasingly out of touch booking employed by Vince McMahon, so while he deserved to be removed from power for his inability to book satisfying television alone, the sexual assault allegations were finally the mechanism for the company to do what needed to be done for a long time now. At the same time as I was losing interest in the main roster of WWE, I held out hope for NXT, which in the days before AEW became a thing was my favorite wrestling program for several years running. (In fact, my disappointment with the main roster was largely tied to the fact that all the wrestlers I loved from NXT were inevitably called up to the main roster and ruined by Vinnie Mac’s inability to leave well enough alone as he completely threw away everything they had built in developmental and ran them into the ground with almost clockwork regularity.) I know from that period of NXT brilliance that Triple H can book a wrestling promotion if given the opportunity, so although there are still some significant institutional problems that Hunter may not be able to address right away, if at all – the Saudi Arabia deal isn’t going anywhere anytime soon, Austin Theory, Matt Riddle, and Logan Paul are all still employed, and Raw is still 3 hours long every. single. week. – this is the most optimistic I’ve been about WWE in a very long time. There isn’t much that could get me to watch WWE full-time again at this point, bust I have watched more WWE since Triple H took charge of creative than in any other period in probably four years. If WWE is ever going to challenge AEW from a creative standpoint, Triple H is the leader it needs, so his ascension to lead booker is the most important positive development in the last 20 years.

Worst Moments of the Year

I’m going to avoid singling out individual matches here, even though I normally talk about worst “matches/moments” of the night in my regular weekly reviews. It just seems mean to single out individual performers/performances as negative points from the year that was. Plus, if you’ve read any of my reviews, I really struggle to call out individual matches as bad, so imagine my struggle trying to actually label something as bad enough to mention in a year-end article. That ain’t gonna happen. Bad matches tend to roll off my back unless they really offend my sensibilities, which AEW has largely avoided, and since I watch their product almost to the exclusion of everyone else, I didn’t feel like it was worth combing back through this year of mostly good stuff from the company to find matches I didn’t even mind that much the first time around. And since I didn’t see anything that bad outside of AEW (except for the aforementioned Royal Rumble) I can’t even talk about Ric Flair’s (allegedly) “final” match or anything. So let’s just talk worst moments instead.

You might have noticed that all of my best moments of the year, oddly enough, came from WWE despite the fact that I watch AEW television on a weekly basis so that I can write reviews but also just because I genuinely enjoy their product. That’s not accidental – while I don’t think 2022 was a terrible year overall for AEW, it was undeniably not as good as previous years for several reasons. One of the biggest reasons, unfortunately, was AEW’s acquisition of Ring of Honor. As much as I loved old-school RoH, the company’s value has been at an all-time low in recent years, so when Tony Khan bought the company back in March, it seemed like he intended to turn the company around, sign an exciting roster of professional wrestling talents, build hype for the company’s relaunch by featuring those wrestlers on AEW TV, and secure a television deal for his new second company before spinning it off from his flagship promotion. That sounded like a great idea at first, but as the weeks and months dragged on with no apparent TV deal in sight, the practical upshot of this acquisition seemed to be that the roster got bloated with talent who needed to be featured weekly despite the company only having 3 hours of televised programming and another…2? 3? hours of online content at its disposal. It’s also hard to invest in talent when you’re not sure how long they’ll be around, and AEW didn’t do itself any favors by making it unclear exactly who was signed to RoH and who was joining the roster permanently. As great as it was for Claudio Castagnoli to win his first ever world title, it was never clear if he was going to be part of the RoH relaunch, which couldn’t be said about Chris Jericho who was clearly never going to be a long-term fit despite the fact that his run was actually kind of fun. It certainly didn’t help that Tony Khan apparently had a falling out with Jonathan Gresham, who is a ridiculously talented wrestler who carried the world title belt for the company throughout the pandemic. That’s not a great start for the relaunch of the company, and although it is a positive sign that Tony Khan has finally acknowledged a TV deal just isn’t happening right now and announced that RoH will move to Honor Club online, it is a fair question as to whether the company still has enough equity among wrestling fans to make it worth doing anymore. Gresham isn’t coming back, many of the wrestlers who seem tabbed for RoH aren’t exactly household names within the promotion, and Tony Khan trying to book RoH and AEW at the same time is bound to make creative suffer in at least one if not both of these companies. I still hope for the best and would love to see Ring of Honor turn things around, but it’s nearly impossible to argue that this entire saga has been a waste of time, money, and effort from an AEW perspective.

I’m going to try to avoid doing this on a yearly basis if this year in review format becomes an annual tradition, but I’m going to lump together a bunch of injuries as a worst moment in the aggregate because I feel like this year has been particularly bad. CM Punk seemed to get injured at the worst possible time on multiple occasions this year, Adam Cole has missed an extended period of time (and as of writing his return is neither guaranteed nor precisely known) with concussion issues, and Big E’s wrestling career may be over after he suffered a broken neck in March. That isn’t even to mention the other serious injuries that have been sprinkled throughout the year – Cody Rhodes’ aforementioned pec injury, Adam Page’s nasty concussion, and Randy Orton’s possibly career-ending back injury – not to mention the many minor injuries that I can’t even remember at the moment and injury-adjacent occurrences like Roman Reigns catching the ‘rona and Jeff Hardy getting a DUI. Plus, Kenny Omega’s injuries from last year took him out for eight months of this year. While plenty of performers have stepped up in the absence of these major names being out of action, several major storylines have been disrupted by these injuries, including multiple title storylines including the AEW men’s and women’s world championships. In all likelihood, CM Punk would have held the AEW World Championship from Double or Nothing in May until Full Gear in November, when MJF would have challenged him for the title to bring their storyline full circle. Instead, the interim title was introduced and won by Jon Moxley, and when Punk returned the title hot potatoed back and forth between him and Mox before Punk suffered yet another injury to put the title back on Mox again. On the women’s side, Thunder Rosa was forced to relinquish the women’s title due to…injury, probably? Sure, we got Toni Storm and Jamie Hayter as champions in the wake of the title being vacated, but it felt like we never really got a conclusion to the Thunder/Storm storyline because of the former champion’s injury. The introduction of the trios titles seemed like it was meant to pay off the Elite/Undisputed storyline, but Cole’s injury led to an abbreviated turn with absolutely no follow up, especially since Bobby Fish was subsequently released. The career-threatening injuries are even more significant, as Randy Orton was having a late career renaissance before he left to deal with a lingering back issue, while Big E was only just beginning to come into his own as a main event talent. If we never see Big Wool in WWE again, it will be a sad day, yes it will. (Okay, using that catchphrase makes it seem flippant but I’m serious that it will very much bum me out if E’s wrestling career is over, though I mainly just hope he is able to have a healthy, happy life regardless of professional wrestling after thankfully avoiding paralysis.) I know injuries are always a problem in professional wrestling, and like I said I’m not going to make a habit of talking about injuries every year, but I feel like there were too many notable names who missed time this year not to mention it.

This article has already delved deep into my personal psyche as a wrestling fan, but my pick for worst moment of the year is by far the most personally affecting: CM Punk’s gripebomb press conference at Brawl Out. I won’t harp on this story too long because of course there’s a podcast for that, but this was easily the biggest negative development AEW suffered in a year of increased negativity that the company had largely managed to avoid in the first couple years of its existence. Punk was just the most prominent example of a growing trend in the company of backstage issues becoming public and not being handled professionally by the parties involved. You might have noticed in the last paragraph that I mentioned Thunder Rosa was probably out due to injury, at least in part, but there’s also a persistent rumor that she’s unpopular backstage because she works stiff and doesn’t sell for her opponents as well as she tries to make herself look good in the ring. The follow-up to MJF’s great match with CM Punk didn’t have the impact that it arguably should have because the story of Friedman skipping a meet-and-greet and threatening to no-show the Double or Nothing pay-per-view overshadowed the match between himself and Wardlow, which should have been one of the most impactful showdowns of the year to pay off one of the best long-term stories of the past couple of years. This was a pervasive problem in AEW this year – each time something good was happening, something negative seemed to be right around the corner to overshadow it, whether it was an injury or some sort of real-world nonsense to ruin the vibe. And hey, Brawl Out happened to involve both! So it’s emblematic of the year overall that it was the most significant negative moment in wrestling. It destroyed any momentum for the newly-created trios championships, it cost at least one person their job, and it may have ended the wrestling career of one of the most popular megastars in all of professional wrestling whose return to the industry was one of the best moments of 2021. As much as I want to see Punk mend fences with Tony Khan and The Elite because there are so many great storylines that he could still take part in, I just don’t see it happening at this point. Maybe the layoff from the injury he suffered at All Out is actually a positive thing because it buys AEW some time and distance from the heated emotions of his press conference remarks. Cooler heads may yet prevail by the time Punk is healed and this whole thing will become one of the best turnarounds of 2023. In the meantime, it sucks and is bad.

Best Wrestlers of the Year

Okay, new segment time because I don’t want to go into Parting Shots on such a negative note. So let’s talk the best overall performers of the year in a few arbitrarily chosen categories. Let’s start with best WWE performer: Sami Zayn. Yes, Roman Reigns has been the champion for the entire year and had some of the best matches of the year for the big E, Seth Rollins has been one of the company’s most consistently great performers and helped establish the heightened value of the United States Championship with effectively one world champion, and Kevin Owens is…well, he’s Kevin Owens. I feel like I don’t even need to explain why he’s great at this point. He just is. However, Sami Zayn has been a part of so many of the best moments, matches, and segments from 2022 that it just wouldn’t feel right to give anyone else this award. Getting smacked by a giant hand at WrestleMania, introducing the world to the word “ucey”, and making the fanbase collectively invest in his initially very silly storyline with the Bloodline are all things that only Zayn could pull off the way he did this year. He deserves recognition no matter how this angle ultimately pays off in 2023, though hopefully if we don’t get Zayn vs. Reigns for one of the world titles, we’ll at least get to see Zayn team up with KO to take on the Usos. If the journey is at least as important as the destination, however, the journey Sami Zayn took WWE fans on this year was the best thing to happen in that company this year.

Best tag team of the year goes to FTR – The Acclaimed, Swerve in our Glory, and the Usos all deserve honorable mentions, but Dax Harwood and Cash Wheeler have managed to overcome at times inconsistent booking in their home promotion of AEW to put on one of the best overall runs of tag team excellence in recent history. Their series of matches against Jay and Mark Briscoe have been easily the best of the resurrected Ring of Honor, and they’ve put on some bangers with The Acclaimed, Aussie Open, and United Empire. Both men even took some time to do some solo work this year, including an incredible match against each other on Dynamite. They held tons of belts, traveled the world, and were generally well-received in everything they did in the ring this year. They may not have done as much in the ring as they’d ideally have liked this year, but hopefully bright things are ahead for this talented duo. To be fair, AEW probably needs to make sure Harwood and Wheeler get off to a strong start in 2023 if Khan wants to keep them from returning to WWE when their contracts expire.

Best women’s wrestler of the year goes to Bianca Belair, who won the Raw Women’s Championship from Becky Lynch at one of the best matches of WrestleMania 38 and carried the Monday night brand’s women’s division for most of the year. Her feud with Bayley has been a major highlight, but she has also worked well with Alexa Bliss, Asuka, Carmella, and Nikki Cross, whether as partners or opponents. Jade Cargill also deserves credit for her run in 2022, but all things considered Belair has had the best year of any women’s wrestler in either of the two main wrestling brands in North America, which is enough for her to get the nod.

Best male singles wrestler in AEW goes to Jon Moxley, the most dependable worker in a year that featured a lot of uncertainty and inconsistency from the men’s division. His Blackpool Combat Club associate Bryan Danielson and current AEW World Champion MJF deserve mention here, but it felt like every time AEW needed someone to deliver in a big spot this year, that person almost always turned out to be Mox. Even though he spent the first part of the year undergoing alcohol rehab to get his substance abuse issues under control, he turned into one of the most beloved performers in the company over the remainder of the year, lauded for his willingness to indulge in brutal violence and cut some of the most genuine, passionate promos in all of wrestling. He held the title on two separate occasions and had some incredible matches with Danielson, the Jericho Appreciation Society, Konosuke Takeshita, and Hiroshi Tanahashi. He showed the depth of his loyalty to the company as well, foregoing a planned vacation after Brawl Out left the roster in desperate need of a shining star to lead it out of the darkness and signing a reported 5-year extension with AEW. While The Elite are literally the most central wrestlers to the company’s identity, 2022 proved that Jon Moxley is rapidly becoming the face of the company in a lot of fans’ minds and a leader in the locker room. Now please just give him some well-deserved time off, Tony Khan.

Parting Shots

• I haven’t watched NXT in forever so I have no idea how big a loss Mandy Rose will be to that roster (though she was apparently the champion right before abruptly dropping the title ahead of her departure from the company) but I am always going to be sympathetic to wrestlers who are labeled “independent contractors” yet are barred from doing anything that would make them money outside of what WWE expressly permits them to do. And let’s be real here – as much as WWE seemingly wants to make the issue about the morality of Mandy’s side hustle when the company is trying to market its product to kids, the real problem is WWE trying to control every facet of its employees’ public lives. Also, let’s not forget this is a company that would regularly have its women’s wrestlers in Playboy back in the day, and it’s not like Rose’s character was never portrayed in a sexual light, so it’s hypocritical to say she’s not allowed to use her own image to make money except in certain approved circumstances. Industry-wide, more performers need to stand up for their rights as independent workers to make choices about what outside projects they want to take on in their spare time outside of their primary employer, because although Mandy Rose may not be the biggest star to be victimized by this trend, it affects everyone in some way or another.
• Another “worst moment of the year” candidate that I didn’t have space to talk about (and really, I couldn’t justify including it as a single moment anyway) is the continued breakdown of the Dark Order. Yeah, in the larger scheme of things, this wasn’t really that big of a deal, but for as big a Dark Order fan as I am, it was a bummer to see the group hemorrhage members throughout the year, culminating with Preston Vance’s big betrayal on Rampage recently. Maybe stripping the group down to a trio will give them more to do in 2023, and their storyline with Hangman Page isn’t completely dead, but I’m worried that “Dark Order Forever” may be an empty slogan at this point.
• Sasha Banks and Naomi walking out on WWE was certainly a huge moment this year, but it remains to be seen what the resolution to that story will be. The landscape has certainly changed since then and WWE could build its women’s tag division better in order to lure them back, but they could each be solo stars somewhere else so that may not be that much of a lure anyway. Then there’s the ever-present call of Hollywood for Mercedes (FKA Sasha) and her upcoming match with NJPW, and it remains hard to predict what will happen with them in 2023, but that story does warrant monitoring as we head into the new year.
• Ricky Starks and Jungle Boy Jack Perry deserve a special mention heading into 2023. I really think both of those guys could have a breakout next year, as we’ve seen the start of something big with both of them this year. Starks especially has become massively over as the year has neared its end, and despite falling short in his first title match, it seems like the company has him tabbed as a future champion. In Jack Perry’s case, the shift from “Jungle Boy” as his full in-ring name to more of a nickname bodes well for him going forward, and the recent blowoff of his feud with Luchasaurus has him freed up for a new feud to open 2023 to develop more of his personality in this new persona. He was recently paired with Hook and there is probably more to come between himself and Christian Cage once he returns to the ring, but the sky is the limit once that’s in Perry’s rearview mirror.

That’s it for this year in review! Thank you all for joining me throughout the year – it has been an absolute joy to write these reviews each week, so I hope you’ve found something to enjoy in something I’ve written this year, whether you’ve been reading my stuff regularly or this is the first article of mine you’ve checked out. I’m off until sometime in January, but in the meantime I’ll be working on some video game stuff, and of course we’ll have plenty of other entertainment content here on FilmIronic. Stay safe out there especially if you’re in the blizzard zone (which is practically the whole country at the moment) and have a great holiday season. See you again soon for more Chair Shots!